“Hrůša derides anything resembling pomposity in Má vlast interpretation, preferring instead relatively swift tempi (swifter sometimes than suggested in the score), transparent textures and colourfully varied dynamics.“
Gramophone, January 2011
“The trump card of this [performance], given at last year's Prague Spring Festival, is its superlative but modest orchestral line-up, showing you don't need big symphonic forces for the music's non-stop inspiration to make its mark. Hrůša's bombast-free conducting secures playing of poised grace besides vividness and panache.“
Classic FM, January 2011
“[Hrusa] shows a most impressive grasp of the work's architecture…[He] has a fine sense of line and his players phrase most lyrically…sensitive, purposeful and obviously warm-hearted – all very welcome qualities in this music.“
International Record Review, January 2011
“Hruša builds towards that climax intelligently, and his shaping is always utterly natural, while in both Vltava and From Bohemia's Woods and Fields he…exploit[s] the transparency of the lighter body of strings to highlight much telling detail.“
The Guardian, 14th October 2010
“Part bucolic, part combative, always nationalistic, Bedrich Smetana’s Má Vlast cycle of symphonic poems needs Czech musicians to make the music fuse and fly. Captured live in concert, Hrusa’s Prague Philharmonia glory as much in the clamorous battle scenes as in the rippling waters of Vltava, the best-known segment.“
The Times, 13th November 2010